Is there still a place for compassion in politics? This question looms large during the current heated election season, making Joe Penhall’s incisive new play, ‘The Constituent,’ particularly relevant. Marking the return of James Corden to the British stage after his acclaimed performance in ‘One Man, Two Guvnors,’ the play delves into pressing issues of mental health and political extremism.

Corden portrays Alec, a former soldier turned security worker, who, after installing security measures for backbench MP Monica, begins to confide in her. Struggling through a divorce and facing custody issues, Alec’s emotional turmoil escalates, pushing him to demand legislative changes that would benefit fathers like him. Yet, his actions become increasingly erratic, blurring the lines between advocacy and harassment.

As Monica, played with sharp wit by Anna Maxwell Martin, navigates the complexities of public service amidst growing threats, the play explores the precarious balance between accessibility and safety for politicians. Referencing real-world tragedies and political challenges, Penhall weaves a narrative that underscores the vulnerabilities faced by those in public office.

The play’s strength lies in its astute observations and occasional moments of humor, anchored by a compelling cast. Corden shifts seamlessly from comedic banter to portraying Alec’s descent into desperation and unpredictability, grappling with themes of masculinity and mental health. Martin’s portrayal of Monica captures both her bureaucratic pragmatism and underlying vulnerability, while Zachary Hart provides comedic relief as the well-meaning yet misguided police officer Mellor.

Under Matthew Warchus’s direction, the staging enhances the play’s intensity, placing the audience in close proximity to the characters’ struggles. While the play’s pace occasionally falters, its core message of empathy and systemic change resonates profoundly.

In a landscape often dominated by cynicism, Penhall’s ‘The Constituent’ stands out for its exploration of compassion and resilience in politics. It challenges audiences to consider how our systems can better support both elected officials and their constituents. For those seeking thought-provoking theater, ‘The Constituent’ at the Old Vic is a compelling choice.

[‘The Constituent’ runs at the Old Vic until August 10. Tickets are available through London Theatre.]